Longlegs, I'm not a film guy, but I have opinions
Yesterday, I took the decision to actually go to the cinema to watch Longlegs, mostly because it is a Nicolas Cage film. I had been considering it for a short time (the name caught my attention while perusing IMDb, and then seeing as it had Mr. Cage in it I thought it might actually be worth a look) and despite some misgivings like Nicolas Cage's famed roll in the remake of The Wicker Man in 2006 and reading a less than stellar review that if anything encouraged me to go by its honesty I ended up going with not in the way of expectations. And as far as I am concerned, my low expectations were essentially met, I can't say it was a good movie, but it was not not-fun, where it should also be understood that quite a bit of enjoyment can yet be derived from simply going to the cinema when one does not do that so often... With that said, I will give away spoilers further down, so if you don't want that for any reason, you are warned.
Spoilers may be contained here, I'm not sure how sensitive people are to this... I usually just read them anyway but if you don't want to, just go ahead and skip.
The first thing I noticed was a clear lack of Nicolas Cage, don't get me wrong he was there, but there was much-a-do about him being there and as far as I am concerned, just not enough of his insanity. With that said, the performance of Maika Monroe as protagonist (I had never heard of her before, I'm not a film guy) was a pleasant surprise as one can essentially follow the movie plot from the changes in her expression.
Now, while being ostensibly a police procedural, following an FBI agent it does not fall to the level of pure copaganda as it employs a serious of tried and true tropes to subvert the genre, which incidentally, their recognizability, greatly diminishes the film as it can be seen as a mash up of certain elements from Twin Peaks (especially the death of the main antagonist "Longlegs" evokes the death of Leland Palmer in season 2) and Silence of the Lambs (Centering the story on a rookie female FBI agent, and the insistence of the antagonist on showering this rookie detective with attention), and of course the cliché of the coded message which probably follows an obsession with the Zodiak killer.
I find it interesting that the movie is set in the mid 1990's (there is a not-so-subtle placement of a picture of Bill Clinton in the office of the senior FBI detective) and both Silence of the Lambs and Twin Peaks are 1990's cultural products (released in 1991 and 1990 respectively). While the Zodiac film Zodiac film with Jake Gillenhal would have to wait until 2007 and therefore overshoot the mid 1990's by quite a bit, there were film adaptations of the Zodiac as early as 1971 and it was far from being a niche topic in the 1990's. So in a way you could see the film as working within the constraints of what kind of horror thriller could have been made within the cultural framework of the 1990's, much like Mandy from 2018, which is still Nicolas Cage's best recent film in my opinion, could be said to be a film made entirely within the aesthetic framework of the 1980's. In fact the two films (Longlegs and Mandy) have more in common with each other than Nicolas Cage and their temporal constraints to a decade, namely the way the two films set their temporal location through allusions to presidents (in Mandy they use a radio transmission of a speech by Ronald Reagan), both I believe, are set in north USA (while being shot in Canada) and both are heavily influenced by the satanic panic (Mandy right in the middle of it, while long legs at the tail end of it, in the age of Marilyn Manson and the birth of Norwegian black metal with its church burnings).
Now, as I said, I'm not a film guy, but the cinematography, I think, is not bad and the soundtrack was quite on point (although not as good as Mandy, have I mentioned how good Mandy is?), the pacing however was a bit all over the place especially past the middle point mark, and certain would-be-plot-twists are wasted by being too clearly telegraphed way in advance (especially anything that has to do with birthdays, I mean, come on...). Finally, being a horror film made after the 2010 I found it to be a blessing that it doesn't suffer from an overuse of jump scares which just get tiresome after a point.